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Spotlights
Incredible Jungle games - Follow the hunter, New from BBC Earth
June 17, 2011 08:42 AM - Willow Murton, Assistant Producer, Oceans and Jungles team, BBC Earth
"Is it all going to be like this?" Human Planet's Assistant Producer Willow Murton takes us into the thick of the rainforest and shares what it's really like to be confronted by deadly poisoned darts, a broken down boat and fortune in disguise. There are places that you imagine you may return to and people you may meet again and then there are farewells to people and places you assume you will hold as a treasured memories. For me Aurelio village was one of those places; so remote, so distant, one of only two communities where the Matis of Brazil live. Set in the vast indigenous Vale do Javari reserve, it takes several days' boat ride to reach the village, as well as many months of painstaking preparation. I had first come here to make the series "Tribe" and couldn't believe my luck when I was asked to make a return trip for "Human Planet"— a rare privilege. There is good reason to return to this remote corner of the Amazon for Human Planet's Jungles episode. The Matis are true masters of the rainforest. Pete, our endurance fit cameraman, and I are reminded of this on our first filming day. An hour into the hunt we’d come to film, we are up to our knees, even thighs at times in swamp mud, soaked through by the unrelenting rain and all eyes on deadly poisoned darts being fired over our heads! Pete turns to me and asks if it's all going to be like this?
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.
New from BBC Earth: The circus comes to town
June 14, 2011 12:06 PM - Mark Flowers, Producer/Director Rivers/Urban team, BBC Earth
Traveling to the farthest corners of the world, it is not just the remarkable environments that can prove a little hard to capture. When Rivers Producer/Director Mark Flowers met the children from the North-East Indian root tree villages, he hadn't bargained on having to make himself the center of attention. But sometimes it's the little extra's that make an experience unforgettable. The most heart-stealing and downright soul- enhancing benefit of working on a Human Planet shoot is the children we encounter while we are filming. It's unbelievably refreshing to step outside of a regulated, fast-paced and impersonal modern, urban society and meet people who live in a more open, communal and for me personally, a far more "Human" way. The children we met during our trip to film living root bridges in one of the most remote areas of North-East India were fantastic — cheeky, smart and funny. To the young people who live in isolated hill villages in the rainforests of Meghalaya, the arrival of a gangly bunch of giant, pale-skinned strangers, brandishing weird black boxes, screens and cables, was the most surprising thing to happen in a long while. The circus had come to town! Within minutes of us stepping out of the cars, there were bright eyes at the windows and small hands waving from the homes we passed. High pitched "hellos" echoed all around while tiny toddlers stood dumb struck for a few seconds in doorways and then exploded into howls. Dogs barked and sulky, caged cuckoos crooned from dark corners.